In 2015 The Chemical Brothers released their 8th studio album ‘Born in the Echoes’ with several tracks featuring guest vocals from a diverse selection of artists. The English duo defied common collaboration conventions however, by omitting the artist credit in each case. Whilst the pitched up vocal on the album’s second single ‘Go’ is not too difficult to identify as Q-Tip (having previously worked together on the 2004 hit single ‘Galvanize’) the singer of the album’s closing track ‘Wide open’ can be a little trickier to place.

The artist in question is of course Beck, who was eventually named as a featured artist when The Chemical Brothers released the beautiful and visually stunning music video ‘Wide Open Ft. Beck’ in January 2016. Featuring a solo dance choreographed by Wayne McGregor and performed by Sonoya Mizuno, the cutting edge CGI effects are made even more impressive by the use of one, long, continuous shot - a single take, no edits.

The Chemical Brothers have a bit of a passion for creating interesting and unique videos for their tracks, working with directorial partnership Dom & Nic for other tracks such as ‘Believe’ and ‘The Salmon Dance’, and teaming up with Michel Gondry for the subtly synced audio visuals of ‘Star Guitar.’

Making another audio and visual appearance in our video this week is DLYM Delay Modulator - our free effects plugin. Click here to find out more and download your copy of DLYM!

Click here to download the Ableton project file.

Beck with another one of those block rockin’ beats,
Team Imaginando

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How to make the bass, organ and steel drum sounds from Flume & Chet Faker 'Drop The Game' in DRC...

Published on 13 Jun 2019

The secret behind every great double act is the way in which the two component parts work together, with successful compatibility achieved from either similarity or difference. Scottish duo The Proclaimers for example, have the biological advantage when it comes to similarity as they are twin brothers, so it’s no surprise their voices are homogeneously harmonious.There are far more examples of the second kind of partnerships though, where the contrast of the pair’s opposing attributes/flavours/tropes delivers a satisfying result. With our narrative established, let’s now look at how it applies to Austrailian collaborators Flume and Chet Faker, and their track ‘Drop The Game’.Harley Streten (Flume) and Nick Murphy (Chet Faker) first worked together in 2012 on ‘Left Alone’, a track from Flume’s self-titled debut album, before teaming up again in 2013 for the EP ‘Lockjaw’, which included ‘Drop The Game’. It’s easy to be swept away by Chet Faker’s soulful wandering vocals, just like the artist his pun-pleasing stage name pays homage to; jazz trumpeter Chet Baker. However, keeping things in line is Flume’s tight production, with punchy beats rhythmically slicing the mix into beat sized ear-fulls.Stripped back sections where your mind can float off into a daydream, are followed by a soberingly swift return back to earth, when the gravity of the percussive elements kicks back in. The catchy melody is punctuated with little rests, repetition keeps things moving but with a reluctant dragging of the heels.It’s another triple threat tutorial as we show you how to make the bass, organ and steel drum sounds for yourself with DRC.Click here to download the Ableton project fileWe’re dropping knowledge,Team Imaginando...

How to make the bass, organ and steel drum sounds from Flume & Chet Faker 'Drop The Game' in DRC...

Published on 13 Jun 2019

The secret behind every great double act is the way in which the two component parts work together, with successful compatibility achieved from either similarity or difference. Scottish duo The Proclaimers for example, have the biological advantage when it comes to similarity as they are twin brothers, so it’s no surprise their voices are homogeneously harmonious.There are far more examples of the second kind of partnerships though, where the contrast of the pair’s opposing attributes/flavours/tropes delivers a satisfying result. With our narrative established, let’s now look at how it applies to Austrailian collaborators Flume and Chet Faker, and their track ‘Drop The Game’.Harley Streten (Flume) and Nick Murphy (Chet Faker) first worked together in 2012 on ‘Left Alone’, a track from Flume’s self-titled debut album, before teaming up again in 2013 for the EP ‘Lockjaw’, which included ‘Drop The Game’. It’s easy to be swept away by Chet Faker’s soulful wandering vocals, just like the artist his pun-pleasing stage name pays homage to; jazz trumpeter Chet Baker. However, keeping things in line is Flume’s tight production, with punchy beats rhythmically slicing the mix into beat sized ear-fulls.Stripped back sections where your mind can float off into a daydream, are followed by a soberingly swift return back to earth, when the gravity of the percussive elements kicks back in. The catchy melody is punctuated with little rests, repetition keeps things moving but with a reluctant dragging of the heels.It’s another triple threat tutorial as we show you how to make the bass, organ and steel drum sounds for yourself with DRC.Click here to download the Ableton project fileWe’re dropping knowledge,Team Imaginando...