If the track for last week’s DRC tutorial video was deemed to be of an “underground” nature, then this week we’re looking at a record which is even closer to the earth’s core!

‘Paris Dub 1’ by Paranoid London, is a track so confident in its own groove, that it manages to pull-off its minimal, laid-back production style, with an effortless swagga.

Most recording artists have a history or story of some sort, especially in this modern era of social media where everyone leverages every tiny bit of publicity, or if they are lucky, their record company do it for them! Paranoid London however, do not.

The duo are most definitely ‘all about the music' - the London club Fabric once described the pair’s ethos as “No Downloads, No CDs, No Promotion”.

Even their vinyl releases are unique - often limited edition ‘heavy vinyl’ presses, where each record weighs a solid 180g in contrast to the standard 140g discs that most record companies put out.

Huge fans of vintage synths, both in the studio and live on stage, Paranoid London are a perfect pick for a DRC sound design tutorial.

Even if you like your music a little ‘busier’, experimenting with a bit of ‘less is more’ style minimalism can sometimes work wonders - just like the DRC user interface!

Paranoid Android, iOS, Windows or Mac - DRC has got your back,
Team Imaginando

latest news

How to make Depeche Mode 'Just Can't Get Enough with DRC...

Published on 22 Oct 2018

The 1980’s was the decade that really helped defined synth-pop; it was new, exciting, futuristic and most importantly, it was cool. A whole host of electronic artists emerged, the UK providing a good proportion of the talent with bands such as New Order, Soft Cell and Erasure. Today’s track was actually written by one half of Erasure, Vince Clarke, during his brief time writing and performing with his previous band Depeche Mode. It was the final single Clarke wrote for the group, leaving the band in November 1981 just 2 months after it was released.‘Just Can’t Get Enough’ was the second single taken from the band’s debut album ‘Speak and Spell’ and the first of theirs to reach the top 10 in the UK singles chart. Reportedly inspired by ‘To Cut a Long Story Short’ by Spandau Ballet, it was Clarke’s desire to write fundamentally pop driven songs, as opposed to fellow band song writer Martin Gore who had much more of an interest in rock music, that fueled the decision to leave so early on.As a pop song, ‘Just Can’t Get Enough’ ticks a lot of boxes in terms of structure and content. A simple but catchy synth hook and plenty of ‘call and response’ karaoke participation of the track’s title throughout, leads to a classic, memorable hit.As always, you can check out the Ableton project file from the video using the link below.Click here to download the Ableton project fileReach out and touch faith,Team Imaginando...

How to make The Chemical Brothers 'Wide Open' synth and keys sounds in DRC...

Published on 12 Oct 2018

In 2015 The Chemical Brothers released their 8th studio album ‘Born in the Echoes’ with several tracks featuring guest vocals from a diverse selection of artists. The English duo defied common collaboration conventions however, by omitting the artist credit in each case. Whilst the pitched up vocal on the album’s second single ‘Go’ is not too difficult to identify as Q-Tip (having previously worked together on the 2004 hit single ‘Galvanize’) the singer of the album’s closing track ‘Wide open’ can be a little trickier to place.The artist in question is of course Beck, who was eventually named as a featured artist when The Chemical Brothers released the beautiful and visually stunning music video ‘Wide Open Ft. Beck’ in January 2016. Featuring a solo dance choreographed by Wayne McGregor and performed by Sonoya Mizuno, the cutting edge CGI effects are made even more impressive by the use of one, long, continuous shot - a single take, no edits.The Chemical Brothers have a bit of a passion for creating interesting and unique videos for their tracks, working with directorial partnership Dom & Nic for other tracks such as ‘Believe’ and ‘The Salmon Dance’, and teaming up with Michel Gondry for the subtly synced audio visuals of ‘Star Guitar.’Making another audio and visual appearance in our video this week is DLYM Delay Modulator - our free effects plugin. Click here to find out more and download your copy of DLYM!Click here to download the Ableton project file.Beck with another one of those block rockin’ beats,Team Imaginando...

How to make the bass and laser sounds from Todd Terje 'Inspector Norse' in DRC...

Published on 8 Oct 2018

Of the many sub-genres of electronic dance music, it’s probably fair to say that ‘Norwegian disco’ (also known as ‘space disco’ or even ‘cosmic disco’) is a style that is not yet familiar to the masses. If asked to name several popular types of dance music, we don’t think regular disco would be anywhere near the top of list, let alone Norwegian disco.In the cold of the Arctic circle, Norway has historically been somewhat culturally cut off from outside influences, which in part has led to the steady rise of its home grown party scene and soundtrack. As chronicled in the fantastic 2017 documentary ‘Northern Disco Lights’ (highly recommended - well worth a watch!) one of the country’s driving forces of this kind of music is Terje Olsen, better known as the artist Todd Terje.A long time collaborator with fellow Norwegian producer Lindstrøm, the use of Todd Terje as his chosen artist name is a nod to prolific American house DJ Todd Terry. A playfulness that carries over into Terje’s work, he doesn’t take himself too seriously, describing his aim to make his music ‘fruity’ by injecting personality and a silly sense of humour into his tracks.In this week’s video we take on his big breakthrough hit ‘Inspector Norse’, by covering the tune’s bass sound and laser sound with DRC.Click here to download the Ableton project fileThere’s Norway back for us now,Team Imaginando...

How to make Depeche Mode 'Just Can't Get Enough with DRC...

Published on 22 Oct 2018

The 1980’s was the decade that really helped defined synth-pop; it was new, exciting, futuristic and most importantly, it was cool. A whole host of electronic artists emerged, the UK providing a good proportion of the talent with bands such as New Order, Soft Cell and Erasure. Today’s track was actually written by one half of Erasure, Vince Clarke, during his brief time writing and performing with his previous band Depeche Mode. It was the final single Clarke wrote for the group, leaving the band in November 1981 just 2 months after it was released.‘Just Can’t Get Enough’ was the second single taken from the band’s debut album ‘Speak and Spell’ and the first of theirs to reach the top 10 in the UK singles chart. Reportedly inspired by ‘To Cut a Long Story Short’ by Spandau Ballet, it was Clarke’s desire to write fundamentally pop driven songs, as opposed to fellow band song writer Martin Gore who had much more of an interest in rock music, that fueled the decision to leave so early on.As a pop song, ‘Just Can’t Get Enough’ ticks a lot of boxes in terms of structure and content. A simple but catchy synth hook and plenty of ‘call and response’ karaoke participation of the track’s title throughout, leads to a classic, memorable hit.As always, you can check out the Ableton project file from the video using the link below.Click here to download the Ableton project fileReach out and touch faith,Team Imaginando...

How to make The Chemical Brothers 'Wide Open' synth and keys sounds in DRC...

Published on 12 Oct 2018

In 2015 The Chemical Brothers released their 8th studio album ‘Born in the Echoes’ with several tracks featuring guest vocals from a diverse selection of artists. The English duo defied common collaboration conventions however, by omitting the artist credit in each case. Whilst the pitched up vocal on the album’s second single ‘Go’ is not too difficult to identify as Q-Tip (having previously worked together on the 2004 hit single ‘Galvanize’) the singer of the album’s closing track ‘Wide open’ can be a little trickier to place.The artist in question is of course Beck, who was eventually named as a featured artist when The Chemical Brothers released the beautiful and visually stunning music video ‘Wide Open Ft. Beck’ in January 2016. Featuring a solo dance choreographed by Wayne McGregor and performed by Sonoya Mizuno, the cutting edge CGI effects are made even more impressive by the use of one, long, continuous shot - a single take, no edits.The Chemical Brothers have a bit of a passion for creating interesting and unique videos for their tracks, working with directorial partnership Dom & Nic for other tracks such as ‘Believe’ and ‘The Salmon Dance’, and teaming up with Michel Gondry for the subtly synced audio visuals of ‘Star Guitar.’Making another audio and visual appearance in our video this week is DLYM Delay Modulator - our free effects plugin. Click here to find out more and download your copy of DLYM!Click here to download the Ableton project file.Beck with another one of those block rockin’ beats,Team Imaginando...

How to make the bass and laser sounds from Todd Terje 'Inspector Norse' in DRC...

Published on 8 Oct 2018

Of the many sub-genres of electronic dance music, it’s probably fair to say that ‘Norwegian disco’ (also known as ‘space disco’ or even ‘cosmic disco’) is a style that is not yet familiar to the masses. If asked to name several popular types of dance music, we don’t think regular disco would be anywhere near the top of list, let alone Norwegian disco.In the cold of the Arctic circle, Norway has historically been somewhat culturally cut off from outside influences, which in part has led to the steady rise of its home grown party scene and soundtrack. As chronicled in the fantastic 2017 documentary ‘Northern Disco Lights’ (highly recommended - well worth a watch!) one of the country’s driving forces of this kind of music is Terje Olsen, better known as the artist Todd Terje.A long time collaborator with fellow Norwegian producer Lindstrøm, the use of Todd Terje as his chosen artist name is a nod to prolific American house DJ Todd Terry. A playfulness that carries over into Terje’s work, he doesn’t take himself too seriously, describing his aim to make his music ‘fruity’ by injecting personality and a silly sense of humour into his tracks.In this week’s video we take on his big breakthrough hit ‘Inspector Norse’, by covering the tune’s bass sound and laser sound with DRC.Click here to download the Ableton project fileThere’s Norway back for us now,Team Imaginando...

How to make Depeche Mode 'Just Can't Get Enough with DRC...

Published on 22 Oct 2018

The 1980’s was the decade that really helped defined synth-pop; it was new, exciting, futuristic and most importantly, it was cool. A whole host of electronic artists emerged, the UK providing a good proportion of the talent with bands such as New Order, Soft Cell and Erasure. Today’s track was actually written by one half of Erasure, Vince Clarke, during his brief time writing and performing with his previous band Depeche Mode. It was the final single Clarke wrote for the group, leaving the band in November 1981 just 2 months after it was released.‘Just Can’t Get Enough’ was the second single taken from the band’s debut album ‘Speak and Spell’ and the first of theirs to reach the top 10 in the UK singles chart. Reportedly inspired by ‘To Cut a Long Story Short’ by Spandau Ballet, it was Clarke’s desire to write fundamentally pop driven songs, as opposed to fellow band song writer Martin Gore who had much more of an interest in rock music, that fueled the decision to leave so early on.As a pop song, ‘Just Can’t Get Enough’ ticks a lot of boxes in terms of structure and content. A simple but catchy synth hook and plenty of ‘call and response’ karaoke participation of the track’s title throughout, leads to a classic, memorable hit.As always, you can check out the Ableton project file from the video using the link below.Click here to download the Ableton project fileReach out and touch faith,Team Imaginando...

How to make The Chemical Brothers 'Wide Open' synth and keys sounds in DRC...

Published on 12 Oct 2018

In 2015 The Chemical Brothers released their 8th studio album ‘Born in the Echoes’ with several tracks featuring guest vocals from a diverse selection of artists. The English duo defied common collaboration conventions however, by omitting the artist credit in each case. Whilst the pitched up vocal on the album’s second single ‘Go’ is not too difficult to identify as Q-Tip (having previously worked together on the 2004 hit single ‘Galvanize’) the singer of the album’s closing track ‘Wide open’ can be a little trickier to place.The artist in question is of course Beck, who was eventually named as a featured artist when The Chemical Brothers released the beautiful and visually stunning music video ‘Wide Open Ft. Beck’ in January 2016. Featuring a solo dance choreographed by Wayne McGregor and performed by Sonoya Mizuno, the cutting edge CGI effects are made even more impressive by the use of one, long, continuous shot - a single take, no edits.The Chemical Brothers have a bit of a passion for creating interesting and unique videos for their tracks, working with directorial partnership Dom & Nic for other tracks such as ‘Believe’ and ‘The Salmon Dance’, and teaming up with Michel Gondry for the subtly synced audio visuals of ‘Star Guitar.’Making another audio and visual appearance in our video this week is DLYM Delay Modulator - our free effects plugin. Click here to find out more and download your copy of DLYM!Click here to download the Ableton project file.Beck with another one of those block rockin’ beats,Team Imaginando...

How to make the bass and laser sounds from Todd Terje 'Inspector Norse' in DRC...

Published on 8 Oct 2018

Of the many sub-genres of electronic dance music, it’s probably fair to say that ‘Norwegian disco’ (also known as ‘space disco’ or even ‘cosmic disco’) is a style that is not yet familiar to the masses. If asked to name several popular types of dance music, we don’t think regular disco would be anywhere near the top of list, let alone Norwegian disco.In the cold of the Arctic circle, Norway has historically been somewhat culturally cut off from outside influences, which in part has led to the steady rise of its home grown party scene and soundtrack. As chronicled in the fantastic 2017 documentary ‘Northern Disco Lights’ (highly recommended - well worth a watch!) one of the country’s driving forces of this kind of music is Terje Olsen, better known as the artist Todd Terje.A long time collaborator with fellow Norwegian producer Lindstrøm, the use of Todd Terje as his chosen artist name is a nod to prolific American house DJ Todd Terry. A playfulness that carries over into Terje’s work, he doesn’t take himself too seriously, describing his aim to make his music ‘fruity’ by injecting personality and a silly sense of humour into his tracks.In this week’s video we take on his big breakthrough hit ‘Inspector Norse’, by covering the tune’s bass sound and laser sound with DRC.Click here to download the Ableton project fileThere’s Norway back for us now,Team Imaginando...

How to make Depeche Mode 'Just Can't Get Enough with DRC...

Published on 22 Oct 2018

The 1980’s was the decade that really helped defined synth-pop; it was new, exciting, futuristic and most importantly, it was cool. A whole host of electronic artists emerged, the UK providing a good proportion of the talent with bands such as New Order, Soft Cell and Erasure. Today’s track was actually written by one half of Erasure, Vince Clarke, during his brief time writing and performing with his previous band Depeche Mode. It was the final single Clarke wrote for the group, leaving the band in November 1981 just 2 months after it was released.‘Just Can’t Get Enough’ was the second single taken from the band’s debut album ‘Speak and Spell’ and the first of theirs to reach the top 10 in the UK singles chart. Reportedly inspired by ‘To Cut a Long Story Short’ by Spandau Ballet, it was Clarke’s desire to write fundamentally pop driven songs, as opposed to fellow band song writer Martin Gore who had much more of an interest in rock music, that fueled the decision to leave so early on.As a pop song, ‘Just Can’t Get Enough’ ticks a lot of boxes in terms of structure and content. A simple but catchy synth hook and plenty of ‘call and response’ karaoke participation of the track’s title throughout, leads to a classic, memorable hit.As always, you can check out the Ableton project file from the video using the link below.Click here to download the Ableton project fileReach out and touch faith,Team Imaginando...

How to make The Chemical Brothers 'Wide Open' synth and keys sounds in DRC...

Published on 12 Oct 2018

In 2015 The Chemical Brothers released their 8th studio album ‘Born in the Echoes’ with several tracks featuring guest vocals from a diverse selection of artists. The English duo defied common collaboration conventions however, by omitting the artist credit in each case. Whilst the pitched up vocal on the album’s second single ‘Go’ is not too difficult to identify as Q-Tip (having previously worked together on the 2004 hit single ‘Galvanize’) the singer of the album’s closing track ‘Wide open’ can be a little trickier to place.The artist in question is of course Beck, who was eventually named as a featured artist when The Chemical Brothers released the beautiful and visually stunning music video ‘Wide Open Ft. Beck’ in January 2016. Featuring a solo dance choreographed by Wayne McGregor and performed by Sonoya Mizuno, the cutting edge CGI effects are made even more impressive by the use of one, long, continuous shot - a single take, no edits.The Chemical Brothers have a bit of a passion for creating interesting and unique videos for their tracks, working with directorial partnership Dom & Nic for other tracks such as ‘Believe’ and ‘The Salmon Dance’, and teaming up with Michel Gondry for the subtly synced audio visuals of ‘Star Guitar.’Making another audio and visual appearance in our video this week is DLYM Delay Modulator - our free effects plugin. Click here to find out more and download your copy of DLYM!Click here to download the Ableton project file.Beck with another one of those block rockin’ beats,Team Imaginando...