The English duo Moloko are probably best known for their biggest hit ‘Sing it back’ with a little help from the remix skills of German DJ Boris Dlugosch, when his funky reworking of the 1998 track received the attention of house DJs worldwide. Before this, the Sheffield based pair had managed to gain international exposure, particularly in the US, from their song ‘Fun for me’ being featured on the soundtrack to the 1997 film ‘Batman & Robin’.

Today we’re looking at the bass sound from ‘Fun for Me’ and showing just how quickly and easily it can be created with DRC. With this super-fast tutorial we wanted to also introduce the idea that not all sounds need to be complex to sound great. As Lucas mentions in the video, in terms of balance and harmonics, simple can sit really nicely in the mix and still be effective too.

DRC can of course create complex, deep, rich soundscapes too - the secret is knowing when and where to apply its powers; practicing subtlety and restraint during the sound design process can avoid the potential for problems at mixdown.

Click here to download the Ableton project file

Making sound design fun for you,
Team Imaginando

latest news

How to make the bass, organ and steel drum sounds from Flume & Chet Faker 'Drop The Game' in DRC...

Published on 13 Jun 2019

The secret behind every great double act is the way in which the two component parts work together, with successful compatibility achieved from either similarity or difference. Scottish duo The Proclaimers for example, have the biological advantage when it comes to similarity as they are twin brothers, so it’s no surprise their voices are homogeneously harmonious.There are far more examples of the second kind of partnerships though, where the contrast of the pair’s opposing attributes/flavours/tropes delivers a satisfying result. With our narrative established, let’s now look at how it applies to Austrailian collaborators Flume and Chet Faker, and their track ‘Drop The Game’.Harley Streten (Flume) and Nick Murphy (Chet Faker) first worked together in 2012 on ‘Left Alone’, a track from Flume’s self-titled debut album, before teaming up again in 2013 for the EP ‘Lockjaw’, which included ‘Drop The Game’. It’s easy to be swept away by Chet Faker’s soulful wandering vocals, just like the artist his pun-pleasing stage name pays homage to; jazz trumpeter Chet Baker. However, keeping things in line is Flume’s tight production, with punchy beats rhythmically slicing the mix into beat sized ear-fulls.Stripped back sections where your mind can float off into a daydream, are followed by a soberingly swift return back to earth, when the gravity of the percussive elements kicks back in. The catchy melody is punctuated with little rests, repetition keeps things moving but with a reluctant dragging of the heels.It’s another triple threat tutorial as we show you how to make the bass, organ and steel drum sounds for yourself with DRC.Click here to download the Ableton project fileWe’re dropping knowledge,Team Imaginando...

How to make the bass, organ and steel drum sounds from Flume & Chet Faker 'Drop The Game' in DRC...

Published on 13 Jun 2019

The secret behind every great double act is the way in which the two component parts work together, with successful compatibility achieved from either similarity or difference. Scottish duo The Proclaimers for example, have the biological advantage when it comes to similarity as they are twin brothers, so it’s no surprise their voices are homogeneously harmonious.There are far more examples of the second kind of partnerships though, where the contrast of the pair’s opposing attributes/flavours/tropes delivers a satisfying result. With our narrative established, let’s now look at how it applies to Austrailian collaborators Flume and Chet Faker, and their track ‘Drop The Game’.Harley Streten (Flume) and Nick Murphy (Chet Faker) first worked together in 2012 on ‘Left Alone’, a track from Flume’s self-titled debut album, before teaming up again in 2013 for the EP ‘Lockjaw’, which included ‘Drop The Game’. It’s easy to be swept away by Chet Faker’s soulful wandering vocals, just like the artist his pun-pleasing stage name pays homage to; jazz trumpeter Chet Baker. However, keeping things in line is Flume’s tight production, with punchy beats rhythmically slicing the mix into beat sized ear-fulls.Stripped back sections where your mind can float off into a daydream, are followed by a soberingly swift return back to earth, when the gravity of the percussive elements kicks back in. The catchy melody is punctuated with little rests, repetition keeps things moving but with a reluctant dragging of the heels.It’s another triple threat tutorial as we show you how to make the bass, organ and steel drum sounds for yourself with DRC.Click here to download the Ableton project fileWe’re dropping knowledge,Team Imaginando...