Have we mentioned before how much we love techno? Having featured several of our own favourite artists from the genre, this week’s tutorial track is actually another viewer suggestion, one we were happy to oblige and indulge our ears in the process. The track in question is ‘Nova’ by Tale Of Us, the DJ and producer partnership of Carmine ‘Karm’ Conte & Matteo Milleri.

Since their debut release ‘Dark Song’ back in 2011, Tale Of Us have not only been releasing a steady stream of underground hits, but also creating and building their now huge ‘Afterlife’ brand, with Ibiza residencies and of course the Afterlife Recordings label.

Residing in the techno rich club scene of Berlin, the duo describe their sound as being filled with ‘emotion and drama’, saying ‘We don't make Berlin techno and we never will, because we're Italian.’

Recently, the pair were immortalised in videogame form, appearing in the massively successful Grand Theft Auto Online, as part of the nightclub based expansion ‘After hours’. Inside a selection of virtual nightclubs, players can enjoy a full DJ set featuring brand new remixes and productions, created especially for the game.

If you are an Ableton user, you won’t want to miss this week’s free project file too - it has all of the automation and track routings for you to check out and explore.

If you enjoy any of the DRC Sound Design Tutorial videos, be sure to let us know in the comments, and feel free to ‘smash that like button!’

Click here to download the Ableton Live project

Like a champagne supernova,
Team Imaginando

latest news

How to make the bass, organ and steel drum sounds from Flume & Chet Faker 'Drop The Game' in DRC...

Published on 13 Jun 2019

The secret behind every great double act is the way in which the two component parts work together, with successful compatibility achieved from either similarity or difference. Scottish duo The Proclaimers for example, have the biological advantage when it comes to similarity as they are twin brothers, so it’s no surprise their voices are homogeneously harmonious.There are far more examples of the second kind of partnerships though, where the contrast of the pair’s opposing attributes/flavours/tropes delivers a satisfying result. With our narrative established, let’s now look at how it applies to Austrailian collaborators Flume and Chet Faker, and their track ‘Drop The Game’.Harley Streten (Flume) and Nick Murphy (Chet Faker) first worked together in 2012 on ‘Left Alone’, a track from Flume’s self-titled debut album, before teaming up again in 2013 for the EP ‘Lockjaw’, which included ‘Drop The Game’. It’s easy to be swept away by Chet Faker’s soulful wandering vocals, just like the artist his pun-pleasing stage name pays homage to; jazz trumpeter Chet Baker. However, keeping things in line is Flume’s tight production, with punchy beats rhythmically slicing the mix into beat sized ear-fulls.Stripped back sections where your mind can float off into a daydream, are followed by a soberingly swift return back to earth, when the gravity of the percussive elements kicks back in. The catchy melody is punctuated with little rests, repetition keeps things moving but with a reluctant dragging of the heels.It’s another triple threat tutorial as we show you how to make the bass, organ and steel drum sounds for yourself with DRC.Click here to download the Ableton project fileWe’re dropping knowledge,Team Imaginando...

How to make the bass, organ and steel drum sounds from Flume & Chet Faker 'Drop The Game' in DRC...

Published on 13 Jun 2019

The secret behind every great double act is the way in which the two component parts work together, with successful compatibility achieved from either similarity or difference. Scottish duo The Proclaimers for example, have the biological advantage when it comes to similarity as they are twin brothers, so it’s no surprise their voices are homogeneously harmonious.There are far more examples of the second kind of partnerships though, where the contrast of the pair’s opposing attributes/flavours/tropes delivers a satisfying result. With our narrative established, let’s now look at how it applies to Austrailian collaborators Flume and Chet Faker, and their track ‘Drop The Game’.Harley Streten (Flume) and Nick Murphy (Chet Faker) first worked together in 2012 on ‘Left Alone’, a track from Flume’s self-titled debut album, before teaming up again in 2013 for the EP ‘Lockjaw’, which included ‘Drop The Game’. It’s easy to be swept away by Chet Faker’s soulful wandering vocals, just like the artist his pun-pleasing stage name pays homage to; jazz trumpeter Chet Baker. However, keeping things in line is Flume’s tight production, with punchy beats rhythmically slicing the mix into beat sized ear-fulls.Stripped back sections where your mind can float off into a daydream, are followed by a soberingly swift return back to earth, when the gravity of the percussive elements kicks back in. The catchy melody is punctuated with little rests, repetition keeps things moving but with a reluctant dragging of the heels.It’s another triple threat tutorial as we show you how to make the bass, organ and steel drum sounds for yourself with DRC.Click here to download the Ableton project fileWe’re dropping knowledge,Team Imaginando...